Within a ten-month period, Neil Peart lost both his 19-year-old daughter, Selena, and his wife, Jackie. Faced with overwhelming sadness and isolated from the world in his home on the lake, Peart was left without direction. This memoir tells of the sense of personal devastation that led him on a 55,000-mile journey by motorcycle across much of North America, down through Mexico to Belize, and back again.
Peart's journey of self-exile and exploration chronicle his personal odyssey and include stories of reuniting with friends and family, grieving, and reminiscing. He recorded with dazzling artistry, the enormous range of his travel adventures, from the mountains to the seas, from the deserts to the Arctic ice, and the memorable people who contributed to his healing.
Ghost Rider is a brilliantly written, and ultimately triumphant narrative memoir from a gifted writer and the drummer and lyricist of the legendary rock band Rush. Within a ten-month period, Neil Peart suffered family losses so devastating that they left him a ghost - no hope, meaning, faith, or desire to keep living. Finally, all he could decide was motion. He got on his BMW R1100GS motorcycle, and over the next 14 months, rode 55,000 miles, in search of a reason to live. Neil Peart was the drummer and lyricist of the legendary rock band Rush and the author of The Masked Rider, Traveling Music, Roadshow, Far and Away, Far and Near, Far and Wide, and, with Kevin J. Anderson, Clockwork Angels and Clockwork Lives.
Outside the house by the lake the heavy rain seemed to hold down the darkness, grudging the slow fade from black, to blue, to gray. As I prepared that last breakfast at home, squeezing the oranges, boiling the eggs, smelling the toast and coffee, I looked out the kitchen window at the dim Quebec woods gradually coming into focus. Near the end of a wet summer, the spruce, birch, poplars, and cedars were densely green, glossy and dripping.
For this momentous departure I had hoped for a better omen than this cold, dark, rainy morning, but it did have a certain pathetic fallacy, a sympathy with my interior weather. In any case, the weather didn't matter; I was going. I still didn't know where (Alaska? Mexico? Patagonia?), or for how long (two months? four months? a year?), but I knew I had to go. My life depended on it.
Sipping the last cup of coffee, I wrestled into my leathers, pulled on my boots, then rinsed the cup in the sink and picked up the red helmet. I pushed it down over the thin balaclava, tightened the plastic rainsuit around my neck, and pulled on my thick waterproof gloves. I knew this was going to be a cold, wet ride, and if my brain wasn't ready for it, at least my body would be prepared. That much I could manage.
The house on the lake had been my sanctuary, the only place I still loved, the only thing I had left, and I was tearing myself away from it unwillingly, but desperately. I didn't expect to be back for a while, and one dark corner of my mind feared that I might never get back home again. This would be a perilous journey, and it might end badly. By this point in my life I knew that bad things could happen, even to me.
I had no definite plans, just a vague notion to head north along the Ottawa River, then turn west, maybe across Canada to Vancouver to visit my brother Danny and his family. Or, I might head northwest through the Yukon and Northwest Territories to Alaska, where I had never travelled, then catch the ferry down the coast of British Columbia toward Vancouver. Knowing that ferry would be booked up long in advance, it was the one reservation I had dared to make, and as I prepared to set out on that dark, rainy morning of August 20th, 1998, I had two and a half weeks to get to Haines, Alaska - all the while knowing that it didn't really matter, to me or anyone else, if I kept that reservation.
