When coffins lingered above ground, Qing China reimagined care, kinship, and the meaning of death
In late imperial China, death did not always lead swiftly to burial. Across the Qing empire, coffins frequently remained in temple courtyards, storage houses, or shallow pits for months, years, even decades. These unburied bodies unsettled the social order: they were neither gone nor fully incorporated into ancestral lines, inhabiting a liminal space between presence and absence. The Unburied explores this unsettling phenomenon, showing how exposed remains shaped mortuary ethics and practices across families, communities, and the state.
Drawing on government decrees, criminal cases, epitaphs, charitable records, and popular stories, Joohee Suh uncovers the unexpected social roles of the dead. Families crafted ornate epitaphs to sustain ties with kin whose coffins had no resting place; magistrates and officials confronted disputes over graves and desecration; Buddhist temples and philanthropic groups organized to shelter and inter abandoned bodies. Even as Confucian orthodoxy condemned corpse exposure as ritual failure, ordinary people developed adaptive practices that wove the unburied into moral and social life.
This study reframes death in early modern China not as a stable ritual sequence but as an extended, negotiated process. By centering the precarious fates of the unburied, Suh illuminates how scarcity, migration, and filial obligation reshaped the relationship between living and dead. Original and deeply researched, The Unburied offers a powerful new history of mortality, ritual, and care in a society where the dead continued to dwell uncomfortably among the living.
