The title of Medbh McGuckian's newest volume, Blaris Moor, refers to a traditional ballad that commemorates the trial and execution in 1797 of four militia men condemned by the authorities as members of the United Irishmen. The United Irishmen were so named because their failed Rebellion of 1798-among the worst bloodshed Ireland has ever known-was meant to unite Protestants and Catholics. Always steeped in sensual longing, McGuckian's poems are historically complex invocations of such volatile landscapes, shedding light on the workings of the private world behind the public conflict. The volume then moves to other scenes of similar contest, including meditations on the Flight of the Earls in the early 1600s and considerations of the two World Wars. The poems here are conversations full of the strained atmosphere of those times in history, much like the present, when forces for good and ill are poised in delicate balance: This half-peace war is here showing its peaceful face. It has its front line of souls hovering at knee-height in the indistinct dawn, only two-thirds divine, crozier-shaped wind heads. from "The Barns of Joseph"
