Skip to main content
  • Hoopla logo
    Powered by Hoopla
  • Browse
  • My Hoopla
  • Log In
Books, videos, and music - all free from your public library!
LoginSign Up

Footer

Hoopla logo, Go to homepage
  • For Patrons
  • For Libraries (opens in new window)
  • For Vendors (opens in new window)
  • Facebook (opens in new window)
  • X (opens in new window)
  • Instagram (opens in new window)
  • YouTube (opens in new window)
  • TikTok (opens in new window)
  • LinkedIn (opens in new window)

Our Company

  • Our Story
  • Get Hoopla for your Library (opens in new window)
  • Get your content on hoopla (opens in new window)
  • Join our team (opens in new window)
  • Accessibility Statement

Our Content

  • Audiobooks
  • Ebooks
  • Movies
  • Television
  • Comics
  • BingePasses
  • Music
  • The Loop Blog

Help

  • Help Center
  • Submit Feedback
  • Facebook (opens in new window)
  • X (opens in new window)
  • Instagram (opens in new window)
  • YouTube (opens in new window)
  • TikTok (opens in new window)
  • LinkedIn (opens in new window)
  • Download on the App Store (opens in new window)
  • Get it on Google Play (opens in new window)
  • Available at Amazon Appstore (opens in new window)
© 2026 Midwest Tape, LLC. All rights reserved. Privacy Policy | Terms of Use
  1. Navigate Home
  2. Ebooks
  3. Sting and Religion

EBOOK

Sting and Religion

The Catholic-Shaped Imagination of a Rock Icon

Evyatar Marienberg
(0)
sign up
Pages
236
Year
2021
Language
English
Publisher
Wipf and Stock Publishers

About

On the back cover of one of his most groundbreaking solo albums ... Nothing like the Sun of 1987, Sting (Gordon Matthew Sumner, b. 1951 in Wallsend, UK) somberly stands close to a statue of Mary, the mother of Jesus. The album was released a few months after his own mother, Audrey, died. The picture was taken on the island of Montserrat, where he was recording the album, apparently on the day of her death. "I said goodbye to my mother, as I had a recording date in Montserrat, and she died a week later." When asked by the author if his mother was particularly connected to Mary, and if this was why he chose this image, he replied "No, but I did."
This evocative photograph and Sting's quick answer encapsulate the two pillars of this book: a microhistory of a specific British Catholic parish in the 1950s-60s, and the impact that growing up there had on Sting's artistic output. And beyond that, this book opens a window onto the influence of Catholic education and imagination on millions of less famous people who had similar upbringings.

Related Subjects

  • Individual Composer & Musician
  • Music
  • Adult Nonfiction
  • General (Religious)
  • Religious
  • General (Catholic)
  • Catholic
  • Christianity
  • Religion
  • Christian

Artists

Evyatar MarienbergAuthor