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Through a Nuclear Lens

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Through a Nuclear Lens

France, Japan, and Cinema from Hiroshima to Fukushima

Hannah HoltzmanSeries: SUNY series, Horizons of Cinema

(0)

Pages

288

Year

2024

Language

English

State University of New York Press

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About

The Franco-Japanese coproduction Hiroshima mon amour (1959) is one of the most important films for global art cinema and for the French New Wave. In Through a Nuclear Lens, Hannah Holtzman examines this film and the transnational cycle it has inspired, as well as its legacy after the 2011 nuclear disaster at Fukushima Daiichi. In a study that includes formal and theoretical analysis, archival research, and interviews, Holtzman shows the emergence of a new kind of nuclear film, one that attends to the everyday effects of nuclear disaster and its impact on our experience of space and time. The focus on Franco-Japanese exchange in cinema since the postwar period reveals a reorientation of the primarily aesthetic preoccupations in the tradition of Japonisme to center around technological and environmental concerns. The book demonstrates how French filmmakers, ever since Hiroshima mon amour, have looked to Japan in part to better understand nuclear uncertainty in France.

Related Subjects

Environmental Conservation & Protection
Nature
Adult Nonfiction
History & Criticism
Film
Performing Arts
France
Europe
History
French
European
Literary Criticism

Extended Details

SeriesSUNY series, Horizons of Cinema

Artists

Hannah HoltzmanAuthor