"A Choice Outstanding Academic Title of the Year" Michel Pastoureau is a historian and emeritus director of studies at the École Pratique des Hautes Études de la Sorbonne in Paris. A renowned authority on the history of colors, symbols, and heraldry, he is the author of many books, including Blue, Black, Green, Red, and Yellow (all Princeton). His books have been translated into more than thirty languages.
From the acclaimed author of Blue, a beautifully illustrated history of the color white in visual culture, from antiquity to today
As a pigment, white is often thought to represent an absence of color, but it is without doubt an important color in its own right, just like red, blue, green, or yellow-and, like them, white has its own intriguing history. In this richly illustrated book, Michel Pastoureau, a celebrated authority on the history of colors, presents a fascinating visual, social, and cultural history of the color white in European societies, from antiquity to today.
Illustrated throughout with a wealth of captivating images ranging from the ancient world to the twenty-first century, White examines the evolving place, perception, and meaning of this deceptively simple but complex hue in art, fashion, literature, religion, science, and everyday life across the millennia. Before the seventeenth century, white's status as a true color was never contested. On the contrary, from antiquity until the height of the Middle Ages, white formed with red and black a chromatic triad that played a central role in life and art. Nor has white always been thought of as the opposite of black. Through the Middle Ages, the true opposite of white was red. White also has an especially rich symbolic history, and the color has often been associated with purity, virginity, innocence, wisdom, peace, beauty, and cleanliness.
With its striking design and compelling text, White is a colorful history of a surprisingly vivid and various color. "[Pastoureau] traces the use and significance of the color from the walls of the Lascaux caves and liturgical robes to medieval chess boards and heraldry, to engraving and photography, and the work of the Impressionist painters and contemporary designers. . . . Thorough research and abundant illustrations." "A rich and encyclopedic exploration of the manifold ways in which Westerners have conceptualized the color white."---Jesse Russell, New Criterion "The book is full of fascination and is as abundant in unusual images as in revealing facts."---Michael Prodger, New Statesman "Magisterial. . . .The book is full of striking contextualised images from antiquity to the present day, so readers gain vivid impressions of the role of white and its symbolism. The series is an extraordinary achievement." "The book is a good introductory resource on the significance and symbolism of the color white in Western European culture. Pastoureau's volume is a valuable addition to his introduction to the history of color in the West."
